Pararelativistic Omnipotence: June Gallery Exhibition

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For the month of June, we are exhibiting paintings by Omar Arason.  I asked Omar some questions regarding his work:

 

Are your paintings influenced by any contemporary artists?

The short answer is yes. Though in the past few years I’ve found it to be too distracting to look at too many artists, as it inevitable makes me question my work too much and I begin to wonder if I’m referencing or ripping off other painters. I’m more able to focus on my work if I’m working in a self-prescribed artistic vacuum…That being said, I regularly go on visual “binges of exploration, desperately searching out contemporary works that inspire me. More often than not the works I am drawn to tend to be of northern European origin – for some reason there is a sensibility there that I am drawn to. Dieter Roth is someone I find myself continually intrigued by (though not a contemporary), perhaps because of his relentless productivity and his ability to integrate his studio life with his family life (a hurdle I am striving to overcome at this time).

 
What role does sexuality play in your work?

Sexuality is a very major re-occurring theme in a majority of my work. I’ve always felt that sexuality and “sex drive” play such a huge role in our lives, whether we admit it or not, and it has always intrigued me because I find it to be such a complex and powerful phenomenon that is occurring on every level of our being – from our deepest subconscious to our most wakeful and aware mind – no matter that a significant portion of society seems to think we have “transcended” sexuality, despite all contradictory evidence. I believe it has remained important in my work because I use the paintings as an arena to work out my own thoughts, internal conflicts, fears, and of course; desires. I don’t have a clear “agenda” or reason for returning to this theme, but it ties in with my interest in the writings of Sigmund Freud, whom I find to be extremely fun, if not helpful, in analyzing and theorizing about my own work – post production.

 

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Do you prefer painting large or small? Do you feel a loss of intimacy when you paint wall-sized pieces?
I like both approaches. It’s painting “medium sized” that drives me insane. For some reason the intermediate 4′ x 3′ range has been a dreadful size for me to work with. The extreme size shifts in my paintings give me two completely different experiences; the large ones usually occur in a series of painting “fits of excitement” that are very rewarding when the results are satisfying, while the smaller ones are made slowly, usually in a semi-focused stupor. Both approaches I feel are “intimate”, though the smaller ones are so in a more quiet way. The “medium range” has almost always left me with a tepid, flaccid sense of “blah” (if I’m to be specific).

Has your process changed since being in school?

I’d have to admit that my process has not changed significantly. I think it has become more refined and ingrained, with more second guessing my choices, as there is no-one around to do that for me. So, I guess it’s more the thought-processes that have changed, as well as the motivation – I somehow used to think it was about pleasing others and getting a thumbs up. Now I do it because it’s what I love to do (though if people appreciate my work, that IS a nice icing).

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Who is your favorite Sacramento artist?

There is no safe way to answer that question- I owe too much to too many.

How do you feel about exhibiting your work? You have such a large amount of it, but seem to rarely show.

I actually enjoy it, though I always find it very awkward and I get rather anxious and self conscious. That being said, I can’t remember ever having requested or applied for a show myself- it has always been on someone else’s initiative (which is terribly embarrassing to admit). When I manage to make time for art, I have the choice of sitting down and applying for shows and grants, or I can paint. Needless to say I always choose the latter. I consider myself extremely fortunate to have had so many opportunities, but that always takes second place to painting.

Thanks for your thoughtful responses, Omar! Pararelativistic Omnipotence will be on view June 7 – July 3, with an opening reception on June 7. Be sure to make it to the show!


Unknown Images: Artwork by Heather Jeremy

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Our June bathroom artist is Heather Jeremy, who recently moved back to Sacramento from New York City. Jeremy received her B.A. in Studio Art from CSU, Sacramento in 2010, and has shown in several galleries in Sacramento as well as in New York. I asked her some questions about her work:

 

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What was thee most valuable thing you learned in art school?

The most valuable thing I learned in school is to ask questions and to not hold yourself back. Taking a leap into the unknown can be very rewarding.

 

What is your favorite medium of choice?

I enjoy using oil paint and oil pastel. I work very slowly, and I’ve found that the slow drying quality oil paint has allows me to work freely without thinking of whether the paint will dry too quickly. It allows me to blend and layer at my own pace. I also enjoy working with oil pastel because of the texture. I’m very detail oriented and like the challenge of creating a smooth edge with a medium that is normally very blend-able. The act of filling in shapes with color is very reminiscent of being a child and coloring in the lines of a coloring book. It’s very satisfying.

 

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How did your sojourn in New York affect your style?

Living in New York City opened my eyes to a wide variety of style that both challenged and intimidated me. I felt the pressure to be inspired living in such an artistic environment. What I didn’t expect was that I would hit a wall. I was very caught up in the fast paced nature of city life and realized that I had little time to focus on my art. I took a break for a while and when I returned to what I was comfortable with, I felt dissatisfied. I decided to start working with pen and oil pastel to trigger some inspiration and I found it was helpful in expressing my emotions. I definitely need the balance of creating a setting with no thought or feeling, and then adding a recognizable feature to compliment it. I think the balance is what keeps me satisfied.
When did you move from making completely abstract forms to adding recognizable imagery to your work?

Like I said, moving to a new place inspired me to jump out of my comfort zone. Adding recognizable imagery was far from where I started, so I wasn’t sure what the outcome would be. Though I still revert back to color-scapes because I enjoy the simplicity. I’m growing and learning about the process still, searching for what comes next.

 

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Thanks Heather! Unknown Images will be on view June 8 – July 12. Join us for the opening reception on June 8- RSVP here!

 



Duchesse De Bourgogne Now Available in Bottles!

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We are excited to offer Duchesse De Bourgogne beer in bottles! This is a classic Flanders Red Ale from Belgian brewery Beouwerij Verhaeghe.

After a primary and secondary fermentation, this ale is matured in oak barrels for 18 months. The final product is a blend of a younger 8-month-old beer with an 18-month-old beer. The name of the beer is meant to honour Duchess Mary of Burgundy, the only daughter of Charles the Bold, born in Brussels in 1457, who died tragically young in a horse riding accident. Like all Flemish red ales, Duchesse de Bourgogne has a characteristically sour, fruity flavour similar to that of lambic beers.

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6% ABV

We are offering Duchesse De Bourgogne for $9/bottle.



Coronado Brewing Co.’s Idiot Imperial IPA Now on Tap!

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Coronado Brewing Company, located in San Diego, was founded in 1996 by brothers Rick and Ron Chapman. The brewery’s hoppy West Coast-style ales became well known in the community, and in 2003 Coronado Brewing Company paired up with a craft beer distributor to bring their beers to a wider audience. Coronado opened their latest facility in 2012, a 30-barrel brew house which will produce 60,000 barrels per year.

Coronado’s Idiot Imperial IPA is part of their “Crown Series”. “It doesn’t take a genius to know quality West Coast IPA’s require a stupid amount of hops,” reads their description of the beer. “A generous blend of Nugget hops and the four C’s – Cascade, Centennial, Chinook and Columbus – brings forth a myriad of tropical fruit flavors and a brawny, persistent bitterness that makes for a highly intelligent brew”

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ABV: 8.5%

IBUs: 90

We will be offering Idiot IPA for $6/pint.

 

 



Moving Stills: Artwork by Allyson Seconds

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For the month of May, the photography of Allyson Seconds will be featured in our bathroom art series!

 

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What is your medium of choice?

I entered my major in Art Studio at UC Davis firstly as a ceramic sculptor. During a photography course to learn to document my sculpture work, I fell in love with “the art of capturing a shadow”, and have been taking pictures ever since. It’s now a full blown compulsion, one of the core ways in which I can express myself.

 

 

Where have you shown artwork in the past few years?

I’ve shown my work anywhere from the Sacramento State Fair Fine Arts Exhibit to coffeehouses around town, which are my favorite. I like the informal feel of going in for a coffee and happening upon something you weren’t expecting, which parallels the work I’m doing now.

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How would you describe your style?

When I was doing professional photography (mostly band photography and work for labels and publications in this field) I always left an element of spontaneity open to happen no matter how structured the shoots were. Now that I am just shooting for my own eyeball’s pleasure, I simply have camera (iPhone, to be specific) in hand and follow wherever said eyeballs lead me.

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Where are you from, how did you end up in Sacramento?

I was born in Indiana but my family moved to Sacramento “for excitement” when I was around two, to Oak Park in the early 1970′s. I’ve lived in and around Sacto my whole life, mostly here in Midtown. I have always said it’s a great base for artists and musicians to hone their creativity, live fairly comfortably and without so many distractions of a larger town, travel and explore. It’s a darn good place to come home to between adventures.

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What are your other passions besides visual art?

I’m a singer and musician, an outdoor enthusiast, an obsessed gardener, and an animal rescuer and activist.

 

Thanks Allyson! Be sure to check out Moving Stills, on display May 11 through June 7.



The LURK, Drive Thru Mystics and Crazy Eyes: 4/30

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The LURK

Location: Sacramento

Genre: One man band

Band members: Nick Carvajal

Carvajal described his performances as The LURK as “somewhat of a spectacle”. “I play a suitcase as a kick drum, and kick a snare drum on its side – so that my feet are the drummer,” he said. “I play guitar, sing, and occasionally blow harp.”

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Drive Thru Mystics

Location: Sacramento

Genre: Rock / Garage / Punk / Neo-Psychedelic / Pop

Band members: A.A. Ron (words/music, guitars, lead vocals) The Good David  (Bass, backing vocals), Pat Hammer (Drums)

“Drive-Thru Mystics are Sacramento’s hardest working psychedelic warriors that combines various elements of camp, black comedy, existential aethism, and rock and roll from the last 50 years into a powerful, fun, and melodic experience.”

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Crazy Eyes

Location: Seattle

Genre: Punk/Rock/Indie

Buy Their Album Here

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Show starts at 8

$5 Door Charge

RSVP to the Facebook Event Here



The Dave Lynch Group and Adrian Bellue: 4/27

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The Dave Lynch Group

Location: Sacramento

Genre: High Energy Fusion Jazz

Lineup: Dave Lynch (guitar), Eric Crownover (drums), Jay Leek (bass), Dan Pool (keys)

Influences: Pat Metheny, Allan Holdsworth, Frank Zappa, Mahavishnu Orchestra, John McLaughlin, Wayne Krantz, Bill Bruford, Jaco Pastorius, Jeff Berlin, Jeff Beck, Sting

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Adrian Bellue

Location: Sacramento

Genre: Fingerstyle Guitarist

“I utilize many techniques, some adapted from others, some of my own, to fuse together melody/rhythm/percussion to turn my guitar into a small band. I play my music from the heart, emptying my mind, and letting my creative passion pass through me and inspire my listeners.”

Discography: Recently released debut full length album, “Draw Inspiration”

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Show starts at 8

$5 Door Charge

RSVP to the Facebook Event Here



Garrett Pierce, Luke Sweeney and Tepid Joy: 4/26

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Garrett Pierce

Location: San Francisco/Sonoma

Genre: Acoustic/Lyrical/Folk

Influences: Richard Brautigan, Henry Miller, Ernest Hemmingway, John Steinbeck, Leonard Cohen, Tom Waits, Joanna Newsom, Why?

Discography: Two full length albums, Like a Moth and All Masks, on Crossbill Records. New album, City of Sand, coming out later this year on Narnack Records.

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Luke Sweeney

Location: San Francisco

Genre: Acid Folk/Pop

Band Members: Brett Eastman, Jerome Steegmans, Ms. Rohini Moradi, and occasionally Robin MacMillan & Jake Silver

“With the release of ‘Ether Ore’, Sweeney stripped down the approach in a solo debut that has local press lauding his ‘distinctly handcrafted feel. Songs such as “Stuck to the Vine” and “Stone E. A. Way” balance delicate finger picking in odd tunings and the hushed sadness of unrequited love with melodies that feel like opiates for the soul’ – (San Francisco Chronicle)”

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Tepid Joy

Download a track here

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Show starts at 8

$5 Door Charge

RSVP to the Facebook Event Here



Instagon, Jenn Rogar, and Iron Hearts: 4/23

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Instagon

Location: Sacramento

Genre: Noise/Experimental/Garage Jazz

Band Members: Lob Instagon, Bob Scott, Michael Curval

“With Lob playing the lead bass guitar at the foundation of the group, Instagon never repeats the same ensemble. No practice, no rehearsal, live improvisational riff riding ..Garage Jazz.. taking a garage band, and playing jazz idea structures..never the same group twice, always fresh and in the moment, once it happens its gone.. hence Instagon.”


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Jenn Rogar

Location: Sacramento

Genre: Singer/Songwriter

Band Members: Jenn Rogar (vocals/acoustic guitar), Steve Mclane (electric guitar), Ken Rabiroff (bass), Eric Everett (drums)

Sounds Like: Karen Carpenter, Anne Murray, Joan Baez, Natalie Merchant, Kate Wolf

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The Iron Hearts

Location: Sacramento

Genre: Rock/alternative

Band Members: Dane Ruffo, Saralyn Adkins, Elliot Jones, Scott Gaona

“With a classic rock influence and modern day inspirations, The Iron Hearts create a sound that’s truly unique to the music scene.”

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Show starts at 8

$5 Door Charge

RSVP to the Facebook Event Here



May Art Exhibition: Chromatic

Our May art exhibition is Chromatic, created by the members of Interval Press. Using the color wheel as inspiration, Chromatic consists of separate-hued work by each artist which, once combined, reinvents the color circle. The installation explores movement and scale, and creates one cohesive body of work while still retaining the unique identities and styles of the four contributing artists.
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Interval Press consists of four members, all of whom are trained graphic designers working and residing in Sacramento. Interval began in 2008, when Kyle Marks and Benjamin Della Rosa made their dream of screen printing gig posters for local musical acts a reality. For over a year, they worked long, hard nights out of Kyle’s residential garage. This eventually led them to bring on board the help of John P. Forrest Jr., whose skill and council in the field of design and printing was a catalyst to advancing Interval to where it is today. In 2010, the trio packed up shop and moved to Verge Center for the Arts, where they continue to produce music posters and high-quality hand-made prints. Hans, Interval’s fourth member, was recently added to the ranks.
I asked the members about the their upcoming exhibition:
How did Interval Press get the idea for Chromatic?
Uhh… Ben thought it up? A long time ago… in a coffee shop near by… Chromatic was the name of a zine Kyle and Ben published that began and then went on hiatus as of its premier issue it then gave way to the posters and printing that became Interval Press. Chromatic as an exhibition represents our approach to the color wheel as a parameter or restriction on the work we produce. The entire color wheel will be visible in the collective work, but each individual contributes only one section of the wheel.
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Are you and your partners artistic styles similar to one another? How do you think these similarities or differences affect the overall exhibition?
Each of us have similar aesthetics that work together and unify us, but we each have specialties or specific areas of interest that we are more inspired by. We don’t truly know how diverse our aesthetic sensibilities are. We all appreciate very similar things within the realms of art and design but how we filter and interpret them into our work could produce wildly different results. We have primarily worked within a design construct that holds us together in terms of content and message for a particular piece. With the Chromatic exhibition we have given ourselves the same parameters in the size of the paper, and broken up the color wheel between us. We have no constrains on content or message so this will be new territory for us.
In your opinion, what is the relationship between graphic design and fine art?
Graphic design is visual communication, and while it has artistic elements, it’s not fine art but serves a purpose. Our art prints for this project would be closer to fine art, while our posters combine art and design by communicating the message, feeling, and style of each musician or event. I would argue that both art and design have a purpose. I would also argue that both art and design share a breadth of history, influences, form and processes. The primary difference between the modern practice of art and design is the client / creative relationship in combination with the nature of the problem that is being presented to solve. That is a simple answer to a very long standing and unresolved question.
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What influences your work? Does Interval Press have the same influences?
We all have an appreciation of the work of old, that required serious analog craftsmanship. That’s not to say we’re stuck in the past though – each of us try to find elements we can bring back to life in a new way that interests us. There is definitely a venn-diagram effect with all of our influences and likes — many that overlap, some that do not. I would reiterate that – many that overlap, some that do not. I would add that some are more deeply ingrained than others.
 
Chromatic will be on view May 3 – June 5.  Join us for the reception on May 3, 6-9 PM. Click here to RSVP.


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